Sunday, March 17, 2019
An Analysis of Coleridges Kubla Kahn Essay -- Coleridge Kubla Khan Es
An Analysis of Coleridges Kubla Kahn Although the hurl of Kubla Kahn is beautiful, it is complex. The rhyming exercises are quite complicated the first stanza, for instance, rhymes in the pattern abaab ccdede. Coleridges patterns of alliteration are also involved He will sometimes use the phonate at the beginning of one syllable as the sound at the beginning of the next syllable, as in Xanadu did in fold one, miles meandering in thread 25, and deep delight in line 44. He also alliterates vowels, not only consonants, to produce a cadent singsong effect. Although the form and the beautiful language in Kubla Kahn were all that I could appreciate when I first read the poem, I concur since fare to realize that the poem has a complex symbolic pattern, as well. My avouch analysis may seem to be paltry when faced with the item that there get under ones skin been thousands of criticisms of this poem published, some comprising entire volumes. But the truly quantity of criticism may serve as an argument that each interpretation of the poem is really an investigation of the writer of the criticism. That is to say, the poem has no outward marrow, or at least that the meaning put in by the author is of secondary importance. The subtitle of Kubla Kahn reads Or a great deal in a Dream. Dreams may or may not have symbolic meaning, but it is doubtful that anyone intentionally designed symbolic meaning specifically for an individual dream. My reading of Kubla Kahn depends on a biographical full point from Coleridges life. Coleridge was an opium addict for years, and Appelbaum, an editor of a collection of romantic poetry, claims that some of his Coleridges poems recoil the anguish this caused. (Appelbaum viii) Coleridge... ...s a change in the authors attitude. Whereas he may have previously been supposed to be merely an opium visionary -- a pallid person who lives outside the everyday reality that the rest of us wait -- he is revealed here to be a creat or, a strong individual, as well. Coleridge is here identifying himself with Kubla Kahn. The Kahn decreed a stately pleasure dome, while Coleridge created a poem that is equated with the dome. Kubla Kahn is Coleridges attempt to rise above what many people direct drug addicts to be and to show himself to be a strong creator, on a level with an emperor who founded of a great dynasty. Works Cited Coleridge, Samuel Taylor. Kubla Kahn in The McGraw-Hill Book of Poetry. Ed. Kraft Rompf and Robert DiYanni. New York McGraw-Hill, 1993. Appelbaum, Stanley, Ed. English Romantic Poetry An Anthology. Mineola Dover, 1996.