Tuesday, March 5, 2019

Man and Woman Relationship in Naga-Mandala Essay

This musical composition is entitled Man and Woman birth in Girish Karnads Naga-Mandala.. Simone de Beauvoir in her essay The Second Sex states that The whole of feminine history has been man-made. erect as in America there is no Negro caper, alone rather a white problem just as antisemitism is not a Jewish problem, it is our problem so the woman problem has always been a man problem. Woman in Naga-Mandala is seen as an different in the society. It is an analysis of agony and anguish faced by hands and woman in the society and their marriage. Karnads shimmer reflect upon the consumption which wo manpower fly the coop in the society and the images of which are seen as biological, social s tire and Indian culture. Every men and woman are said to hold out in a stereotypical way and this gives them a good recognize in the society. Karnads suffer focuses on conflicts and dilemmas experienced by men and woman in their social situation.HypothesisThe study aim in analyzing the man woman affinity which is depicted in the Indian ply Naga- Mandala apply the concepts of Simone de Beauvoirs Second Sex and the concepts of Patriarchy.Significance of the study/ suppositious FrameworkThe study of man and woman relationship differentiates potent and feminine in terms of conversation, intimacy and their behavior. The concept of patriarchy oppresses women among the society. In the play Naga- Mandala Karnad clearly portrays the relationship between man and woman with the feminist perspective. The research employs both theoretical and analytical approach with the help of the text using the concepts of Simone de Beauvoir.Literature ReviewResearch paper titled Naga-Mandala A yarn of Marriage and Love, provides the relationship of man and woman portrayed in the play.depth psychologyNaga- Mandala is a play about a young couple named ranee and Appana. Appana is seen as husband who does not take care of his married woman and locks her up in the house and he comes on ly in the afternoon to eat his lunch. match to Simone de Beauvoir, Appana treats his own married woman as the other and makes her passive and static. He uses her as a so called wife to show the society that they are living to recoverher. Appanna does not lead a good vitality with his rani and imprisons her by locking her up inside the house. Appanas power is ranees subversive nature and the respect she gives to her husband. ranee is portrayed to be a good wife throughout the play. She obeys her husband and cooks lunch for him all day. She sees her husband as a sacred deity and worships him throughout the play. According to the Indian society marriage is seen as something sacred of sex and adore between men and women. In this play ranee adjusts and lives her social biography by herself, who is appointed by her husband and the traditional society.Throughout the play Appana does not show any have sex or affection to his wife. The relationship of Appanna and the concubine is co nsidered to be the symbol of lust. Girish Karnad portrays Appanna as the best example of male chauvinism. He goes to the concubine and neglects his own wife and locks her so that she doesnt get into any relationship. He is seen as a selfish person who leads a lustful life with another woman. He uses this woman only for her corpse and not because of love. This shows that he is escaping from the in truthity and cheats his wife and the concubine. He is treating the concubine and ranee in an unfair manner. The relationship with Rani and Naga is considered to a genuine love in the play. Naga comes in the form of Appanna and loves Rani who was in isolation from her real husband. Naga gives Rani everything that she missed from her husband.He also understands and respects her feelings and emotions. Even though Naga is a snake he expresses true love to his belove which a human being cannot give to his wife. As a result of their love, Rani becomes pregnant. In Kiranths words, an Indian wo man knows that motherhood confers upon her a shoot for and identity that nothing else in her culture can. At the supplant of the play Rani is seen as a mother and good wife to Naga. The death of Naga plays a major role in the story where he sees Appanna andRani with their child sleeping together, he feels jealous and this shows that he loved Rani and was very possessive on her. He dies for the sake of Rani and her family. Rani asks Appanna to prepare to perform a sacred ritual for the exsanguine Naga and her son should do the last rights of his father, and Appana agrees to her strange demand. This shows the true love that she had for Naga. A.K.Ramanujan writes that the ritual tale itself is a public even told during the Cobra Festival to propitiate snake, to ascertain safety and fertility within marriage.ConclusionThe analysis of Man- Woman relationship in Karnads play, mete outs as the best example of womans position in the society. marriage is always open, and a recognition of the blessings and gracility of the outsider for bringing together the husband and wife. This is clearly seen in the play where snake- lover is seen as a hero in the play by expressing his true love to his beloved. Appanna has failed in his relationship with his wife and the fate makes him to feign Nagas son as his own. The two men with different characters serve the twist in the play, and they are direct contrast between apiece other. In a happy family the husband should always compromise with the wife and the wife should compromise with husband. Thus, after the death of Naga, Appana starts a new life with his wife Rani.ReferencesKarnad, Girish. Naga-Mandala A Play with a Cobra. New Delhi OUP, 1991. Print.Beauvoir, Simone de. The Second Sex. Trans.Constance Borde and Sheila Malovany-Chevallier. ergodic House, 2009. Print

No comments:

Post a Comment

Note: Only a member of this blog may post a comment.